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Publications by Jarvis, Martin W. B.

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Books (2)
Jarvis, Martin W. B. (2011). Written by Mrs Bach. Pymble, N.S.W.: HarperCollins Publishers Australia. 71 4
Jarvis, Martin W. B. (2001). The string players' pocket dictionary. Darwin: NTU Press. 42 1
Journal Articles (23)
Jarvis, Martin W. B. (2012). Transmission and Filiations - Sources of the Six Cello Suites. Stringendo,34(2):24-25. 23  
Jarvis, Martin W. B. (2010). The music-calligraphy of Johann Sebastian and Anna Magdelena Bach. Journal of Forensic Document Examination,20(1):49-60. 29  
Jarvis, Martin W. B. (2010). Souvenir D'amerique variations burlesque. Stringendo,32(2/10/2010):72-72. 16  
Jarvis, Martin W. B. (2010). Review Souvenir D'Amerque Variations burlesque-Henri Vieuxtemps IMC 3630. Stringendo,32. 17  
Jarvis, Martin W. B. (2010). Review of Johann Sebastian Bach Sonatas & Paritas Isabelle Faust HMC902058. Stringendo,32(1). 24  
Jarvis, Martin W. B. (2010). The music calligraphy of Johann Sebastian and Anna Magdalena Bach. Journal of Forensic Document Examination,20(1):49-60. 87 2
Jarvis, Martin W. B. (2008). The application of forensic document examination techniques to the writings of J.S. Bach and A.M. Bach. Understanding Bach On-line Journal,(3):87-92. 82 3
Jarvis, Martin W. B. (2008). Is the 1720 autograph of the violin sonatas & partitas what it purports to be?. Stringendo,30(2):37-39. 83 1
Jarvis, Martin W.B. (2007). Is Anna Magdalena Bach's manuscript of the violin sonatas and partitas a copy of the 1720 autograph of the unaccompanied violin sonatas and partitas of JS Bach?. Stringendo,29(2):41-42. 139 20
Jarvis, Martin W. B. (2006). Strange to my ears! The Anna Magdalena Bach Cello Suites. Stringendo,28(1):18-22. 63 1
Jarvis, Martin W. B. (2005). Celebrity power - do the costs cut. Orchestral Outlook,12(3):12-12. 52 1
Jarvis, Martin W. B. (2005). The Significance of Anna Magdalena Bach Part II. Musical Opinion,129(1448):44-46. 34 1
Jarvis, Martin W. B. (2005). Retrogressive concatenation: A possible solution for string players with memory worries. Stringendo,27(2):36-37. 108 1
Jarvis, Martin W. B. (2005). The significance of Anna Magdalena Bach Part I. Musical Opinion,128(1447):36-38. 35 1
Jarvis, Martin W. B. (2005). Celebrations and Festivals in Darwin. Orchestral Outlook,12(3):13-13. 43 1
Jarvis, Martin W. B. (2003). Review: J.S. Bach: The Art of Fugue by Richard Jones. Stringendo,25(1):26-26. 64 1
Jarvis, Martin W. B. (2003). Book Review: Bach: An Extraordinary Life by Davitt Moroney. Stringendo,25(1):24-24. 64 1
Jarvis, Martin W. B. (2003). Did JS Bach write the cello suites? Part 2: The Musical Analysis. Stringendo,25(1):20-22. 66 1
Jarvis, Martin W. B. (2002). Did J S Bach write the Cello Suites? Part 1. Stringendo,24(2):28-32. 55 1
Jarvis, Martin W. B. (2002). Performing Outside the Box. Orchestral Outlook,9. 49 1
Jarvis, Martin W. B. (2002). Did Johann Sebastian Bach Write the Cello Suites?. Musical Opinion,November:78-82. 65 1
Jarvis, Martin W. B. (2001). The Mystery of the Kreutzer Studies. Stringendo,23(2):12-17. 40 1
Jarvis, Martin W. B. (2001). Kreutzer uncovered. The Strad,112(1338):1132-1137. 69 1
Conference Papers (10)
Harralson, Heidi H., Kaufman, Clare and Jarvis, Martin W.B. (2015). Handwriting and Visual Impairment: A Forensic Analysis of J. S. Bach's Signatures. In: Rémi, Céline, Prévost, Lionel and Anquetil, Eric 17th Biennial Conference if the International Graphonomics Society, Pointe-à-Pitre, Guadeloupe, 21-24 June 2015. 33  
Found, Bryan and Jarvis, Martin W. B. (2011). The Influence of a quill-pen on a scribe's ability to accurately copy a music manuscript. In: 15th International Graphonomics Society Conference (IGC2011), Cancun Mexico, 12 - 15/06/2011. 54 4
Jarvis, Martin W. B. (2011). A Forensic Handwriting Examination of Manuscripts attributed to Johann Sebastian and Anna Magdalena Bach. In: 15th International Graphonomics Society Conference (IGC2011), Cancun, Mexico, 12 - 15 June 2011. 87  
Jarvis, Martin W. B. (2006). A Forensic Document Examination of the Six Cello Suites. In: Australian String Association (AUSTA) National Conference, Brisbane, 9-12 July 2006. 78 1
Jarvis, Martin W. B. (2006). Darwin Symphony Orchestra Performing Outside the Box: New Venues, New Audiences. In: Charles Darwin University Symposium: Creative Citizen, Darwin, 27-28 September 2006. 69 1
Jarvis, Martin W. B. (2005). Who Wrote the Bach Cello Suites?. In: Forrest, D 15th National Conference of the Australian Society for Music Education, Melbourne, 3-7 July 2005. 54 1
Jarvis, Martin W. B. (2005). Social Justice Flows from Music in the Community: A Practical Example in the Northern Territory. In: 28th National Conference of the Musicological Society of Australia, Sydney, 28 September - 1 October 2005. 50 1
Jarvis, Martin W. B. (2004). Performing Outside the Box. In: The Orchestras Of Australia Network Conference, Brisbane, September 2004. 53 1
Jarvis, Martin W. B. (2002). Who Composed the Bach Cello Suites?. In: 25th National Conference Musicological Society of Australia, Newcastle, 3-6 October 2002. 49 1
Jarvis, Martin W. B. (2002). Connecting With…. In: International Forum Queensland Conservatorium of Music, Brisbane, 2002. 55 1
All Others (3)
Dahlsen, John (2017). Environmental art : activism, aesthetics and transformation. PhD Thesis, Charles Darwin University. 71 87
Reiss, Penelope Ruth (2016). A musical 'Notage à Trois' : the relationship revealed between three manuscript versions of J.S. Bach's unaccompanied violin sonatas and partitas?. PhD Thesis, Charles Darwin University. 104 118
Jarvis, Martin W. B. (2007). Did Johann Sebastian Bach write the six cello suites?. PhD Thesis, Charles Darwin University. 587 4297