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Publications by Jarvis, Martin W. B.

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Books (2)
Jarvis, Martin W. B. (2011). Written by Mrs Bach. Pymble, N.S.W.: HarperCollins Publishers Australia. 74 4
Jarvis, Martin W. B. (2001). The string players' pocket dictionary. Darwin: NTU Press. 48 1
Journal Articles (23)
Jarvis, Martin W. B. (2012). Transmission and Filiations - Sources of the Six Cello Suites. Stringendo,34(2):24-25. 24  
Jarvis, Martin W. B. (2010). The music-calligraphy of Johann Sebastian and Anna Magdelena Bach. Journal of Forensic Document Examination,20(1):49-60. 30  
Jarvis, Martin W. B. (2010). Souvenir D'amerique variations burlesque. Stringendo,32(2/10/2010):72-72. 17  
Jarvis, Martin W. B. (2010). Review Souvenir D'Amerque Variations burlesque-Henri Vieuxtemps IMC 3630. Stringendo,32. 19  
Jarvis, Martin W. B. (2010). Review of Johann Sebastian Bach Sonatas & Paritas Isabelle Faust HMC902058. Stringendo,32(1). 28  
Jarvis, Martin W. B. (2010). The music calligraphy of Johann Sebastian and Anna Magdalena Bach. Journal of Forensic Document Examination,20(1):49-60. 97 2
Jarvis, Martin W. B. (2008). The application of forensic document examination techniques to the writings of J.S. Bach and A.M. Bach. Understanding Bach On-line Journal,(3):87-92. 83 3
Jarvis, Martin W. B. (2008). Is the 1720 autograph of the violin sonatas & partitas what it purports to be?. Stringendo,30(2):37-39. 86 1
Jarvis, Martin W.B. (2007). Is Anna Magdalena Bach's manuscript of the violin sonatas and partitas a copy of the 1720 autograph of the unaccompanied violin sonatas and partitas of JS Bach?. Stringendo,29(2):41-42. 140 20
Jarvis, Martin W. B. (2006). Strange to my ears! The Anna Magdalena Bach Cello Suites. Stringendo,28(1):18-22. 65 1
Jarvis, Martin W. B. (2005). The Significance of Anna Magdalena Bach Part II. Musical Opinion,129(1448):44-46. 35 1
Jarvis, Martin W. B. (2005). The significance of Anna Magdalena Bach Part I. Musical Opinion,128(1447):36-38. 36 1
Jarvis, Martin W. B. (2005). Celebrity power - do the costs cut. Orchestral Outlook,12(3):12-12. 53 1
Jarvis, Martin W. B. (2005). Celebrations and Festivals in Darwin. Orchestral Outlook,12(3):13-13. 44 1
Jarvis, Martin W. B. (2005). Retrogressive concatenation: A possible solution for string players with memory worries. Stringendo,27(2):36-37. 111 1
Jarvis, Martin W. B. (2003). Book Review: Bach: An Extraordinary Life by Davitt Moroney. Stringendo,25(1):24-24. 65 1
Jarvis, Martin W. B. (2003). Review: J.S. Bach: The Art of Fugue by Richard Jones. Stringendo,25(1):26-26. 65 1
Jarvis, Martin W. B. (2003). Did JS Bach write the cello suites? Part 2: The Musical Analysis. Stringendo,25(1):20-22. 67 1
Jarvis, Martin W. B. (2002). Performing Outside the Box. Orchestral Outlook,9. 50 1
Jarvis, Martin W. B. (2002). Did J S Bach write the Cello Suites? Part 1. Stringendo,24(2):28-32. 56 1
Jarvis, Martin W. B. (2002). Did Johann Sebastian Bach Write the Cello Suites?. Musical Opinion,November:78-82. 66 1
Jarvis, Martin W. B. (2001). The Mystery of the Kreutzer Studies. Stringendo,23(2):12-17. 42 1
Jarvis, Martin W. B. (2001). Kreutzer uncovered. The Strad,112(1338):1132-1137. 72 1
Conference Papers (10)
Harralson, Heidi H., Kaufman, Clare and Jarvis, Martin W.B. (2015). Handwriting and Visual Impairment: A Forensic Analysis of J. S. Bach's Signatures. In: Rémi, Céline, Prévost, Lionel and Anquetil, Eric 17th Biennial Conference if the International Graphonomics Society, Pointe-à-Pitre, Guadeloupe, 21-24 June 2015. 34  
Jarvis, Martin W. B. (2011). A Forensic Handwriting Examination of Manuscripts attributed to Johann Sebastian and Anna Magdalena Bach. In: 15th International Graphonomics Society Conference (IGC2011), Cancun, Mexico, 12 - 15 June 2011. 88  
Found, Bryan and Jarvis, Martin W. B. (2011). The Influence of a quill-pen on a scribe's ability to accurately copy a music manuscript. In: 15th International Graphonomics Society Conference (IGC2011), Cancun Mexico, 12 - 15/06/2011. 55 4
Jarvis, Martin W. B. (2006). Darwin Symphony Orchestra Performing Outside the Box: New Venues, New Audiences. In: Charles Darwin University Symposium: Creative Citizen, Darwin, 27-28 September 2006. 70 1
Jarvis, Martin W. B. (2006). A Forensic Document Examination of the Six Cello Suites. In: Australian String Association (AUSTA) National Conference, Brisbane, 9-12 July 2006. 81 1
Jarvis, Martin W. B. (2005). Who Wrote the Bach Cello Suites?. In: Forrest, D 15th National Conference of the Australian Society for Music Education, Melbourne, 3-7 July 2005. 55 1
Jarvis, Martin W. B. (2005). Social Justice Flows from Music in the Community: A Practical Example in the Northern Territory. In: 28th National Conference of the Musicological Society of Australia, Sydney, 28 September - 1 October 2005. 51 1
Jarvis, Martin W. B. (2004). Performing Outside the Box. In: The Orchestras Of Australia Network Conference, Brisbane, September 2004. 54 1
Jarvis, Martin W. B. (2002). Who Composed the Bach Cello Suites?. In: 25th National Conference Musicological Society of Australia, Newcastle, 3-6 October 2002. 50 1
Jarvis, Martin W. B. (2002). Connecting With…. In: International Forum Queensland Conservatorium of Music, Brisbane, 2002. 56 1
All Others (4)
Dahlsen, John (2017). Environmental art : activism, aesthetics and transformation. PhD Thesis, Charles Darwin University. 78 95
Debreceny, Aniko (2017). Constrained creativity : composing curriculum-based songs for learning. Master By Research Thesis, Charles Darwin University. 11 3
Reiss, Penelope Ruth (2016). A musical 'Notage à Trois' : the relationship revealed between three manuscript versions of J.S. Bach's unaccompanied violin sonatas and partitas?. PhD Thesis, Charles Darwin University. 108 141
Jarvis, Martin W. B. (2007). Did Johann Sebastian Bach write the six cello suites?. PhD Thesis, Charles Darwin University. 590 4450