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Books (2)
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Jarvis, Martin W. B. (2011). Written by Mrs Bach. Pymble, N.S.W.: HarperCollins Publishers Australia.
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4 |
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Jarvis, Martin W. B. (2001). The string players' pocket dictionary. Darwin: NTU Press.
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Journal Articles (23)
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Jarvis, Martin W. B. (2012). Transmission and Filiations - Sources of the Six Cello Suites. Stringendo,34(2):24-25.
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24 |
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Jarvis, Martin W. B. (2010). The music-calligraphy of Johann Sebastian and Anna Magdelena Bach. Journal of Forensic Document Examination,20(1):49-60.
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30 |
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Jarvis, Martin W. B. (2010). Souvenir D'amerique variations burlesque. Stringendo,32(2/10/2010):72-72.
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17 |
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Jarvis, Martin W. B. (2010). Review Souvenir D'Amerque Variations burlesque-Henri Vieuxtemps IMC 3630. Stringendo,32.
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19 |
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Jarvis, Martin W. B. (2010). Review of Johann Sebastian Bach Sonatas & Paritas Isabelle Faust HMC902058. Stringendo,32(1).
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28 |
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Jarvis, Martin W. B. (2010). The music calligraphy of Johann Sebastian and Anna Magdalena Bach. Journal of Forensic Document Examination,20(1):49-60.
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2 |
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Jarvis, Martin W. B. (2008). The application of forensic document examination techniques to the writings of J.S. Bach and A.M. Bach. Understanding Bach On-line Journal,(3):87-92.
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83 |
3 |
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Jarvis, Martin W. B. (2008). Is the 1720 autograph of the violin sonatas & partitas what it purports to be?. Stringendo,30(2):37-39.
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Jarvis, Martin W.B. (2007). Is Anna Magdalena Bach's manuscript of the violin sonatas and partitas a copy of the 1720 autograph of the unaccompanied violin sonatas and partitas of JS Bach?. Stringendo,29(2):41-42.
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Jarvis, Martin W. B. (2006). Strange to my ears! The Anna Magdalena Bach Cello Suites. Stringendo,28(1):18-22.
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65 |
1 |
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Jarvis, Martin W. B. (2005). The Significance of Anna Magdalena Bach Part II. Musical Opinion,129(1448):44-46.
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35 |
1 |
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Jarvis, Martin W. B. (2005). The significance of Anna Magdalena Bach Part I. Musical Opinion,128(1447):36-38.
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36 |
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Jarvis, Martin W. B. (2005). Celebrity power - do the costs cut. Orchestral Outlook,12(3):12-12.
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53 |
1 |
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Jarvis, Martin W. B. (2005). Celebrations and Festivals in Darwin. Orchestral Outlook,12(3):13-13.
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44 |
1 |
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Jarvis, Martin W. B. (2005). Retrogressive concatenation: A possible solution for string players with memory worries. Stringendo,27(2):36-37.
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111 |
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Jarvis, Martin W. B. (2003). Book Review: Bach: An Extraordinary Life by Davitt Moroney. Stringendo,25(1):24-24.
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65 |
1 |
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Jarvis, Martin W. B. (2003). Review: J.S. Bach: The Art of Fugue by Richard Jones. Stringendo,25(1):26-26.
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Jarvis, Martin W. B. (2003). Did JS Bach write the cello suites? Part 2: The Musical Analysis. Stringendo,25(1):20-22.
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Jarvis, Martin W. B. (2002). Performing Outside the Box. Orchestral Outlook,9.
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Jarvis, Martin W. B. (2002). Did J S Bach write the Cello Suites? Part 1. Stringendo,24(2):28-32.
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1 |
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Jarvis, Martin W. B. (2002). Did Johann Sebastian Bach Write the Cello Suites?. Musical Opinion,November:78-82.
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1 |
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Jarvis, Martin W. B. (2001). The Mystery of the Kreutzer Studies. Stringendo,23(2):12-17.
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42 |
1 |
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Jarvis, Martin W. B. (2001). Kreutzer uncovered. The Strad,112(1338):1132-1137.
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72 |
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Conference Papers (10)
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Harralson, Heidi H., Kaufman, Clare and Jarvis, Martin W.B. (2015). Handwriting and Visual Impairment: A Forensic Analysis of J. S. Bach's Signatures. In: Rémi, Céline, Prévost, Lionel and Anquetil, Eric 17th Biennial Conference if the International Graphonomics Society, Pointe-à-Pitre, Guadeloupe, 21-24 June 2015.
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34 |
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Jarvis, Martin W. B. (2011). A Forensic Handwriting Examination of Manuscripts attributed to Johann Sebastian and Anna Magdalena Bach. In: 15th International Graphonomics Society Conference (IGC2011), Cancun, Mexico, 12 - 15 June 2011.
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88 |
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Found, Bryan and Jarvis, Martin W. B. (2011). The Influence of a quill-pen on a scribe's ability to accurately copy a music manuscript. In: 15th International Graphonomics Society Conference (IGC2011), Cancun Mexico, 12 - 15/06/2011.
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55 |
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Jarvis, Martin W. B. (2006). Darwin Symphony Orchestra Performing Outside the Box: New Venues, New Audiences. In: Charles Darwin University Symposium: Creative Citizen, Darwin, 27-28 September 2006.
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Jarvis, Martin W. B. (2006). A Forensic Document Examination of the Six Cello Suites. In: Australian String Association (AUSTA) National Conference, Brisbane, 9-12 July 2006.
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81 |
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Jarvis, Martin W. B. (2005). Who Wrote the Bach Cello Suites?. In: Forrest, D 15th National Conference of the Australian Society for Music Education, Melbourne, 3-7 July 2005.
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Jarvis, Martin W. B. (2005). Social Justice Flows from Music in the Community: A Practical Example in the Northern Territory. In: 28th National Conference of the Musicological Society of Australia, Sydney, 28 September - 1 October 2005.
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51 |
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Jarvis, Martin W. B. (2004). Performing Outside the Box. In: The Orchestras Of Australia Network Conference, Brisbane, September 2004.
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Jarvis, Martin W. B. (2002). Who Composed the Bach Cello Suites?. In: 25th National Conference Musicological Society of Australia, Newcastle, 3-6 October 2002.
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Jarvis, Martin W. B. (2002). Connecting With…. In: International Forum Queensland Conservatorium of Music, Brisbane, 2002.
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All Others (4)
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Dahlsen, John (2017). Environmental art : activism, aesthetics and transformation. PhD Thesis, Charles Darwin University.
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78 |
95 |
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Debreceny, Aniko (2017). Constrained creativity : composing curriculum-based songs for learning. Master By Research Thesis, Charles Darwin University.
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11 |
3 |
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Reiss, Penelope Ruth (2016). A musical 'Notage à Trois' : the relationship revealed between three manuscript versions of J.S. Bach's unaccompanied violin sonatas and partitas?. PhD Thesis, Charles Darwin University.
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Jarvis, Martin W. B. (2007). Did Johann Sebastian Bach write the six cello suites?. PhD Thesis, Charles Darwin University.
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